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For What It's Worth




pleatedjeans:

Round 2: Gritty Reboots of Childhood Characters (23 Pics)


4,889 notes | Reblog | 2 weeks ago

saddestblogger:

saddestblogger:

my former algebra teacher puts a stamp of her own face onto your quiz or test if you get a perfect score

i shit you not

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(Source: saddestblogger)


65,562 notes | Reblog | 2 weeks ago

brookeeverdeen:

ohkatnisseverdeen:

frostingpeetaswounds:

remember when miley was randomly in hsm2

image

BECAUSE WE VOTED ONLINE FOR WHICH HANNAH MONTANA STAR WE WANTED TO SEE CAMO AND WE ALL VOTED ON DISNEY CHANNEL DOT COM WITH PARENTS PERMISSION

i voted for her without parents permission


192,718 notes | Reblog | 2 weeks ago

fallontonight:

Your weekend photobombing lesson, sponsored by Emma Thompson.


36,473 notes | Reblog | 2 weeks ago

drawspoopymisha:

image

(Source: ssk-analogmedium)


99,327 notes | Reblog | 2 weeks ago
theatlantic:

The Little Mermaid's Twisted, Sofia Coppola-esque Origins

The news that Sofia Coppola will direct a live-action adaptation of The Little Mermaid probably, rightfully will be lauded as an encouraging development for women in Hollywood. There are a number of successful female directors in the film industry (although not nearly enough), but it’s still shockingly rare that one gets assigned such a high-profile studio project. 
Yet the producers of the film deserve props not (only) for choosing a woman director, but for choosing the perfect director for the story they’re going to tell.
Coppola’s films are known for their aesthetic beauty and moody, dream-like atmosphere. But her works all share something else, too. She’s not a political filmmaker per se, but the world that she depicts is one in which women are oppressed—not necessarily by men, but by cultural myths. Whether portraying a strictly traditional monarchy (Marie Antoinette), a fame- and image-obsessed society (The Bling Ring), or the all-American horny teenager (The Virgin Suicides), Coppola’s films rebel against a world that dictates the rules for women and then punishes them for playing by them.
The Little Mermaid follows the exact same template, but takes the punishment even further.
Read more. [Image: Matt Sayles / AP; Wikimedia]

theatlantic:

The Little Mermaid's Twisted, Sofia Coppola-esque Origins

The news that Sofia Coppola will direct a live-action adaptation of The Little Mermaid probably, rightfully will be lauded as an encouraging development for women in Hollywood. There are a number of successful female directors in the film industry (although not nearly enough), but it’s still shockingly rare that one gets assigned such a high-profile studio project. 

Yet the producers of the film deserve props not (only) for choosing a woman director, but for choosing the perfect director for the story they’re going to tell.

Coppola’s films are known for their aesthetic beauty and moody, dream-like atmosphere. But her works all share something else, too. She’s not a political filmmaker per se, but the world that she depicts is one in which women are oppressed—not necessarily by men, but by cultural myths. Whether portraying a strictly traditional monarchy (Marie Antoinette), a fame- and image-obsessed society (The Bling Ring), or the all-American horny teenager (The Virgin Suicides), Coppola’s films rebel against a world that dictates the rules for women and then punishes them for playing by them.

The Little Mermaid follows the exact same template, but takes the punishment even further.

Read more. [Image: Matt Sayles / AP; Wikimedia]


5,971 notes | Reblog | 2 weeks ago
paintdeath:

Andy Warhol at Gristedes supermarket, New York (1962)

paintdeath:

Andy Warhol at Gristedes supermarket, New York (1962)


5,108 notes | Reblog | 2 weeks ago

(Source: welovekanyewest)


63,830 notes | Reblog | 2 weeks ago

mogmo:

loftwingfeathers:

WHEN BOYS GET ANGRY AND THEIR JAW DOES THE THING 

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image

(Source: zustin)


523,610 notes | Reblog | 2 weeks ago
kingofwesteros:

Publicity done right in an anti-rape campaign: double-page spread, pages glued to one another. After the reader forcefully separates them, the image above is revealed with the caption “if you have to use force, it’s rape”.

kingofwesteros:

Publicity done right in an anti-rape campaign: double-page spread, pages glued to one another. After the reader forcefully separates them, the image above is revealed with the caption “if you have to use force, it’s rape”.


347,988 notes | Reblog | 2 weeks ago
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